[34] Twitchett,Denis(1964),“ALoneCheerforSinology”,TheJournalofAsianStudies,1964,24(1),pp.109-112.原文如下:“Sinologyinthenarrowsense—thepositiveaspectofthePelliotcaricature—isinthelastanalysisthetraditionaldisciplineoftexturalcriticismand ‘philology’ appliedtoChineseliterature,asetoftechniquesdesignedtoextractthemostaccuratepossibleinformationfromabodyofdata,inthiscasethewrittenword.”
[35] Liu,Yiqing,ANewAccountofTalesoftheWorld,,Minneapolis:UniversityofMinnesotaPress,1976;Liu,Yiqing,ANewAccountofTalesoftheWorld,,AnnArbor:CenterforChineseStudies,UniversityofMichigan,2002.
[36] Mather,RichardB.,ThePoetShenYüeh(441-513):theReticentMarquis,Princeton:PrincetonUniversityPress,1988.书评参见Barrett,T.H.,“ThepoetShenYüeh(441-513):thereticentmarquis”,BulletinoftheSchoolofOrientalandAfricanStudies1992.(55),pp.164-165.另见 Rouzer,PaulF.,“ThePoetShenYüeh(441-513):TheReticentMarquis.”,TheJournalofAsianStudies,1989,48(2),369-370.
[37] Mather,RichardB.,TheAgeofEternalBrilliance:ThreeLyricPoetsoftheYung-mingEra(483-493),SinicaLeidensia;Leiden & Boston:Brill,2003.关于马瑞志教授的研究,田晓菲在上述注释3的文章中也有提及,可互为参考。
[38] 因其广受欢迎,该书于1968年又在台湾再版。
[39] Karlgren,Bernhard,TheAuthenticityofAncientChineseTexts,Stockholm:MuseumofFarEasternAntiquiti,1929.
[40] Miao,,Marie,StudiesinChinesePoetryandPoetics,SanFrancisco:ChineseMaterialsCenter,1978;书评参见Knechtges,DavidR.,“ReviewedWork:StudiesinChinesePoetryandPoetics”inTheJournalofAsianStudies,1980,39(3),pp.584-586.