正在阅读《二、剑术技法特点 FeaturesFencingTechniques》
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在漫长的历史发展中，剑术名目繁多，技法丰富多彩，各门派都有其沿袭相传的演练技巧和方法，但一般的基本技法大致有以下四点。

Inthelonghisforicaldevelopment, fencingundervariousnames, colorfultechniques, eachschoolhasitslineagelegenddrillstechniquesandmethods, butingeneralthebasictechniqueshavethefollowingfourpoints.

（一）剑法清晰，轻快敏捷 Swordsmanshipclear, lightandagilemovements

历来有“剑走轻，刀走黑”之说来区别。虽然刀、剑都具有悠忽纵横，以短乘长的技击特点，但是用法迥然有别。剑术不能像刀术那样大劈大砍、猛起猛落，而是要按照剑法的运动规律做到轻快敏捷，体现出“剑器轻清”的特点。

Ithasalwaysbeen “Fencingislight, buttheswordisverymysterious”, , swordshaveleisurelyandfreely, ashorttakelongmartialcharacteristics, bututterlydifferentusage, itdidnotlikethebroadswordswordhacking, suddenlyfromasuddenfall, butusedsomuchagilitytofollowthemovementofthesword, reflectsthefeatureofthe “swordislightandagile”.

（二）持短入长，刚柔兼备 Inshortinstrumenttodealwithlongweaponsandbothrigidandflexible

剑器短小轻便，利于变化，欲达以短制长。剑本身轻、短、细、薄，对付粗重兵器，只可逢坚避刃，遇隙削刚，仗着身法便利、招法变换取胜。刚与柔是剑术的两大要素，剑法运用体现出柔中寓刚、刚中含柔、刚柔相济和防中有攻、攻中有防、攻防相间的技法要求。

Swordisshortandlightweight, , short, little, thin, it'stodealwithheavyweaponswhichcanonlyavoidtheblade, cutjustincaseclearance, , swordsmanshipexercisedreflectstheskillrequirementsrigid, rigidcontainingsoft, hardnessandsoftness, andhasanti-attack, attackindefense, offensiveanddefensivetechniques.

（三）把活腕灵，以巧制胜 Handsandwristsflexible, winningwithskills

剑术很注重剑法的正确性，然而有“剑无成法，因敌变化而制胜”之说。各种剑法都要求轻快、准确，很多变化与手腕的劲力运使技巧有关。因此，要求持剑手的指、掌虚实多变，手腕灵活转展，恰到分寸地把握剑器，达到合理地调节剑法和劲力之变化。在此基础上，剑术十分讲究运用以巧制胜技法，难以硬挡硬架硬格，而是逢坚化刃、避实就虚、借人之势、后发先至。

Fencingisfocusonthecorrectnessofskill, butthereissaid: “Fencingdoesnotrequireactionstructureandthatisbasedonthechangeofopponentstochooseactionandwin”., swordhandfingerandpalmrequireactualsituationvaried, wristturnflexible,graspthesenseofproportionswordproperly,, fencingpaysattentiontotheuseoftechniquestoskillfullywinning, itisdifficulttohideboundusing, butusedeverykeyoftheblade, evasive, bythepeopleofthesituation, beasarelativelatecomer.

（四）身剑合一，气韵洒脱 Thehumanbodyandfencingasone, Charming

“身剑合一”指尊重剑的运动轨迹及其技击习性，顺剑之劲势而动，是衡量参与者练剑好坏的一个重要标准。它强调以身运剑，将身法、步法、神意、剑法融为一体。其变化则身行如龙、剑行如电、身械如一。因此，练剑要求内外贯通，神形达化。“气韵”指的是剑术运动的节奏、气度。剑术运动应气度宏大，洒脱自如，其动静疾缓应富有鲜明生动的多种节奏变化，起承转合应注重韵律。

“Thehumanbodyandfencingasone”, referstothetrajectoryoftheirrespectedswordmartialhabits, , integratedtheagility, footwork, providence, , theactionroutelightly, , Swordsmanshiprequiresinternalandexternalarefluent, demeanorandbodyagreed.“Character” , actionchic, itsmovementshouldberichvarietyofvividrhythmchanges, undulatingalsoavailablethattransformsshouldfocusonrhythm.